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This caricature may be found by doing a Google search using Caruso victor
caricature, click on Images toward the top.

On Mon, Apr 22, 2019 at 1:45 PM Gary A. Galo <[log in to unmask]> wrote:

> Hi Chet,
>
> If you or anyone else would like a scan of that Caruso caricature, let me
> know. I'll scan it, upload it to WeTransfer, and post the link.
>
> Best,
> Gary
>
>
>
> -----Original Message-----
> From: Association for Recorded Sound Discussion List [mailto:
> [log in to unmask]] On Behalf Of Chet Falzerano
> Sent: Monday, April 22, 2019 1:16 PM
> To: [log in to unmask]
> Subject: [EXTERNAL] [ARSCLIST]
>
> Thank you for the information Dennis. A photo would be great.
> Best
> Chet
>
> On Mon, Apr 22, 2019 at 7:12 PM Ted Kendall <
> [log in to unmask]> wrote:
>
> > The control room has been a given almost since recording started - even
> > field recordings would be done with a partition or curtain between
> > performers and equipment. Post-1925, the need to monitor the incoming
> > signal would make a separate room a necessity.
> >
> > On 22/04/2019 17:34, Chet Falzerano wrote:
> > > Could someone please advise me if during the 20's and 30's 78 recording
> > > sessions, was the recording equipment located in the same room as the
> > > musicians? Or, was there a separate "control room"? I am specifically
> > > interested in the Decca studies, New York City as I am involved in a
> film
> > > short project and the music director maintains the "control room" came
> > > later.
> > >
> > > Thank you.
> > > Chet Falzerano
> >
> > ---
> > This email has been checked for viruses by Avast antivirus software.
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> >
>
>
> --
> I'm So Happy, I Can't Stop Playing!
>


-- 
Frank B Strauss, DMD