I agree with all my esteemed colleagues and will add that, at least in the case of those early Victors, even with a batch of consecutively numbered discs, the speed may be way off from whatever default you start with. One of the many causes of this is the actual mechanism used for recording these discs. There was never a true clocking constant, so the speed was susceptible to the vagaries of the machinery. Jeff Willens Media Preservation Engineer New York Public Library On Tue, 9 Feb 2021 10:57:00 -0800, Mickey Clark <[log in to unmask]> wrote: >I have found that the Victors produced up to somewhere around June of 1928 >can have the 76.6 speed. Columbia Viva Tonals are 75 rpm up to about the >same time. I have confirmed this with a Myra Hess recording. Although stated >speed on Columbia records can state 80 rpm, the speed was set with the motor >unloaded. You would leave the tonearm off the record, place a piece of paper >poking out from under a record, then count 20 revolutions in 15 seconds. >When the additional drag of the heavy tonearm is brought into play , then >the actual speed would be 75 rpm.-mickey > > >Mickey Clark >710 Westminster Avenue West >Penticton BC >Canada >250-462-7881 >V2A 1K8 >http://mcproductions.ca >1-250-462-7881 > >-----Original Message----- >From: Steve Smolian >Sent: Tuesday, February 09, 2021 10:24 AM >To: [log in to unmask] >Subject: Re: [ARSCLIST] Speeds > >For western music (Alois Haba, Emmanuel Moore, etc. notwithstanding), >playback increments are in half-steps. Once you have established your >speed to show a sustained note from a preferred instrument (oboe, other >winds, good string players, etc. only then, as a last resort, voices), going >up or down by half tones quickly shakes out many wrong speeds. I use a Korg >guitar tuner with an internal microphone and may check with a pitch pipe >subsequently. > >If working with an unfamiliar voice, I try and find a selection they are >unlikely to have transposed and see how that matches the vocalist's sound on >your subject record. > >For accurate results, it is necessary to be sure the record is well-centered >before checking for pitch. > >Some discographies include playing speeds and are therefore worth >consulting. But beware- if the discographer is European, he is determining >these results in a 50 cycle environment. In the U.S., we have a 60 cycle >standard. That's a difference of over half an rpm. > >This is true for European LPs played back in the U.S. as well. And for some >European tapes transferred by U.S. companies for domestic issue. This is a >matter different from CCIR vs NAB tape equalization. > >Establishing pitch for tapes made on battery-operated machines running at >1-7/8 ips with failing batteries on half mil tape calls for lots of >patience. There is a similar 78 rpm problem where the speed changes in the >course of the side. > >In short, it ain't short. > >Steve Smolian > > > > > > >inal Message----- >From: Association for Recorded Sound Discussion List ><[log in to unmask]> On Behalf Of Patrick Feaster >Sent: Tuesday, February 9, 2021 11:05 AM >To: [log in to unmask] >Subject: Re: [ARSCLIST] Speeds > >Recording speeds in that early period were irregular enough that setting >them for playback today generally involves making educated guesses based on >vocal timbre and musical pitch, like the ones you're describing. >Chris Zwarg's "Speeds and Keys" is a good example of targeted research along >these lines. There seems to have been a general upwards drift in average >speeds from the lower 70s to the upper 70s over the first decade of the >century or so, but with lots of individual deviations. So "assuming" >any particular speed based on date alone would be perilous, and you don't >just have two choices around 72 and 76.6 rpm -- more of a continuum. For >myself, I like to start with something that's definitely too slow and >gradually adjust upward. > >Best, >Patrick > >On Tue, Feb 9, 2021 at 1:30 AM Paul Stamler <[log in to unmask]> wrote: > >> Hi folks: >> >> May I tap the collective wisdom once more? >> >> It's pretty well-known among the restoration community that Victor >> made their acoustical recordings at 76.6 rpm (or close). But I've also >> been told, by people who seem to know what they're talking about, that >> the earliest Victors were cut at a slower speed, approximately 72 rpm. >> I had the occasion to work on a 1901 recording, and I did it first st >> 76.6, then again at 72, and I must say that the slower ob\ne sounded >> more natural; the voice has less of a Donald Duck effect. >> >> So my questions are two: >> >> 1. Is this at all accurate? Were those early Victors truly cut at >> about >> 72 rpm? >> >> 2. If so, then can anyone suggest an approximate date for the >> changeover to 76.6 rpm? In other words, up to what recording date >> should I assume, for my first efforts, a speed of about 72 rpm? >> >> Peace, >> Paul >> >> --- >> This email has been checked for viruses by Avast antivirus software. >> https://www.avast.com/antivirus >>